areas that are out of focus dark, dramatic areas of a scene bright, warm colors blue and green colors
2
The concept of unity in a production applies to
the various physical elements in a scene the lighting in a scene sets and settings in a dramatic production All of the above are correct. None of the answers is correct.
3
Using a cutaway shot is a way to
add important supplementary information show information not in the basic scene direct attention to a related element All of the above are correct. None of the answers is correct.
4
An atmosphere introduction
shows information outside the basic scene always consists of one or more close-ups of the main characters in a drama tips us off to important things about characters by introducing us first to their environment or surroundings is intended to tell us about the weather conditions in a drama could be introduced during the closing credits of a production
5
"Content takes precedence over form." This means that
the form a production takes is not important, only the content the message and emotional dimension of a production are of the most importance the technical quality of a production is the most important when you get down to it, the real message of a production ends up being production techniques, special effects, and technical embellishments
6
While doing a production where the talent is reading a camera prompter you see their eyes noticeably moving back and forth as they read. A solution would be to
put less light on the talent so you no longer see them move the prompter closer to the talent and zoom out to compensate move the prompter farther away from the talent and zoom in to compensate put more light on the prompter
7
Dynamic composition
is the same as static composition takes into consideration the effect of time and movement makes use of dynamic mics All of the above are correct. None of the answers is correct.
8
The statement "good production always good production, no matter how much time passes" is
one of the few principles that you can fully rely on in TV production not totally true, because production values have changed significantly over time true, because good techniques have always remained exactly the same over time
9
Selective focus in a scene can
reduce distractions from unimportant subject matter in a scene force viewers to look at a particular object or person isolate subject matter you want to emphasize All of the above are correct. None of the answers is correct.
10
According to the majority of the research cited in the reading
violence in film and on TV has no effect on audiences violence has a negative effect on viewers violence has a positive effect on viewers
11
As an aid to composition what elements would help you in achieving a selective focus effect?
a low shutter speed having a brightly lit scene a high f-stop number All of the above are correct. None of the answers is correct.
12
By following the rule of thirds you should
place the center of interest near one of the four cross points place the center of interest outside of the safe title area make sure your center of interest is in the center of the frame keep all important subject matter within any one-third section of the picture
13
Ideally, dominant horizontal or vertical lines in a picture
should be broken or interrupted at some point by one or more objects should lead the eye to the center of interest should not run through the middle of the frame All of the above are correct. None of the answers is correct.
14
Sophisticated audiences prefer that productions
stick to one level of meaning be as "on the nose" as possible be as totally abstract as possible All of the above are correct. None of the answers is correct.
15
A scene showing the side of a car with the back wheels cut off on the right side of the frame would be an example of a
dimensional merger border merger tonal merger All of the above are correct. None of the answers is correct.
16
The number of prime objects that would typically provide the strongest composition is
six four two three one
17
The strongest direction of movement in dynamic composition would generally be
right-to-left downward stationary upward, diagonally, in a left-to-right direction None of the answers is correct. All of the above are correct.
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